Natasha Williams

The Book of Liz - Play review

The following is an exerpt from the Lexington Herald Leaders review of Amy and David Sedaris' "The Book of Liz"

By Tedrin Blair Lindsay Contributing Culture Critic

THEATER REVIEW

'The Book of Liz'

What: Amy and David Sedaris' comedy, presented by Balagula Theatre

When: 8 p.m. Nov. 28-30, Dec. 4-7

Where: Natasha's Bistro & Bar, 112 Esplanade

Tickets: $15, $10 students; call (859) 259-2754.

Caligula

By: 
Albert Camus

Performance Dates: 
June 3, 2012 - June 6, 2012
June 10, 2012 - June 13, 2012

A Steady Rain

By: 
Keith Huff

Performance Dates: 
October 9, 2011 - October 12, 2011
October 16, 2011 - October 19, 2011

Review: Balagula has another hit in 'The Woman in Black' (Theater does the unexpected with unexpected selection)

Jan. 11, 2011

By: Candace Chaney

Balagula Theatre has tackled a remarkable variety of themes and material in its short tenure, from the noir humor of Martin McDonagh's Pillowman to quick-paced comedic romps like The Mystery of Irma Vep to last year's inaugural season of existential theater.

Co-directors Natasha Williams and Ryan Case are known for artistic risk-taking and intellectually heavy-hitting fare, like this season's Marx in Soho.

But sumptuous British period piece ghost stories? Not so much.

Review: 'Herostratus' mines comedy from tragedy of outsize ego

Mon, Aug. 16, 2010

By: Candace Chaney

Long before the Internet and reality TV made instant celebrities out of ego-crazed fame seekers, a young Greek man named Herostratus walked into one of the Seven Wonders of the World, the temple of Artemis at Ephesus, and burned it to the ground.

Was he angry at the goddess for some misfortune in his life? Was he trying to make some kind of symbolic political statement? Was he angry at his fellow citizens' unfair treatment of him and seeking revenge?

Nah. He just wanted to be famous.

Review: 'Bald Soprano' lingers on language

Tue, Nov. 10, 2009

By Candace Chaney

After launching the first full season of programming with B Is for Beckett, a mélange of three iconic pieces by existential minimalist Samuel Beckett, Balagula Theatre continues its foray into the theater of the absurd with Eugene Ionesco's The Bald Soprano.

Review: Balagula ends absurdist season with sublime 'Oh Dad'

Tue, May. 18, 2010

By: Candace Chaney

As soon as Ryan Case makes his entrance as Madame Rosepettle, we know from her condescending sneers and uppity manners, or lack thereof, that she is a force to be reckoned with. Just what kind of force, however, remains a mystery. Some violent neuroticism lurks beneath the surface, occasionally betraying the glamorous veneer of wealth that her costuming and mannerisms suggest.

Review: Balagula's 'Marx in Soho' is poignant portrait of misunderstood man. Production good fit for election season

Oct. 18, 2010

By: Candace Chaney

So what is the ideal play for an enterprising theater to present just weeks before a tumultuous midterm election? One about Karl Marx, of course.

Balagula Theatre adds another installment to its growing legacy of presenting emotionally and intellectually probing material with Marx in Soho by Howard Zinn.

Review: B for Beckett - “Endgame” is particularly satisfying in this Beckett trio

September,16,2009

By: Candace Chaney

There's one thing you can definitely say about the folks at Balagula Theatre: They are not afraid to take on challenging material. The debut production of the theater's season features the work of playwright Samuel Beckett. A noted existentialist whose dramatic works have been billed "Theater of the Absurd," Beckett's approach to playwriting includes long strands of silence, trailing fragments of words, potent symbolism, minimalist settings, and a disconnection from precepts of time and place.

Review: Irma Vep - The real mystery of 'Irma Vep': How can anything be so funny?

Friday, October 10, 2008

By Candace Chaney

As you walk into Natasha's Bistro to see the Balagula Theatre's latest production, it is immediately obvious that something is different about the funky, eclectic space. For one, the adjoining boutique is surprisingly just ... gone. In its place is an expanded space devoted to housing Balagula's expanding theater offerings.