Jan. 11, 2011
By: Candace Chaney
Balagula Theatre has tackled a remarkable variety of themes and material in its short tenure, from the noir humor of Martin McDonagh's Pillowman to quick-paced comedic romps like The Mystery of Irma Vep to last year's inaugural season of existential theater.
Co-directors Natasha Williams and Ryan Case are known for artistic risk-taking and intellectually heavy-hitting fare, like this season's Marx in Soho.
But sumptuous British period piece ghost stories? Not so much.
